{"id":3056,"date":"2025-04-18T13:43:37","date_gmt":"2025-04-18T11:43:37","guid":{"rendered":"https:\/\/lab.the-bunker.it\/rubrica\/april-event-selection-i-2\/"},"modified":"2025-11-20T03:42:59","modified_gmt":"2025-11-20T02:42:59","slug":"april-event-selection-i","status":"publish","type":"rubrica","link":"https:\/\/lab.the-bunker.it\/en\/rubrica\/april-event-selection-i\/","title":{"rendered":"April Event Selection I"},"content":{"rendered":"<p><a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Inflorescences-Sabrina-Ratte.-Courtesy-MEET-Digital-Culture-Center.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"RAINONE_NEXT UP APRILE_THE BUNKER MAGAZINE_00\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU0NTIsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL0luZmxvcmVzY2VuY2VzLVNhYnJpbmEtUmF0dGUuLUNvdXJ0ZXN5LU1FRVQtRGlnaXRhbC1DdWx0dXJlLUNlbnRlci5qcGcifQ%3D%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"731\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Inflorescences-Sabrina-Ratte.-Courtesy-MEET-Digital-Culture-Center.jpg\" alt=\"\" \/>\t\t\t\t\t\t\t\t<\/a><\/p>\n<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<h1>NEXT UP<\/h1>\n<h4>FEBRUARY 2025<\/h4>\n<h2>Event Selection II<\/h2>\n<p>NEXT UP is the column curated by Beatrice Rainone, dedicated to a critical selection of the most significant initiatives that address the new themes and languages with which contemporary art confronts digital culture.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"731\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Inflorescences-Sabrina-Ratte.-Courtesy-MEET-Digital-Culture-Center.jpg\" alt=\"\" \/><figcaption>Inflorescences, Sabrina Ratte?. Courtesy MEET Digital Culture Center<\/figcaption><\/figure>\n<h4><strong>Realia<br \/><\/strong>13.03 &#8211; 01.06.2025<\/h4>\n<h5>MEET Digital Culture Center, Milano<\/h5>\n<p>Sabrina Ratt\u00e9 transforms digital into living matter. Not a representation, but an environment in mutation: extinct plants resurface in a virtual archive (Floralia), electronic waste merges with nature (Inflorescences), AI becomes a visual oracle (Cyberdelia). Inspired by Donna Haraway, Ratt\u00e9 goes beyond dystopia to open up to the Symbiocene: a world where technology and biology recreate themselves, and the monstrous becomes wonder.<\/p>\n<h4><strong>ICARUS<br \/><\/strong>27.03 &#8211; 27.07.2025<\/h4>\n<h5>Pirelli Hangar Bicocca, Milan\u00a0<\/h5>\n<p>Yukinori Yanagi&#8217;s imposing installations rewrite industrial space, transforming it into a borderland of power, migration and identity. The artist goes further: flags eroded by ants, containers and barrels that tell of sovereignty and control. An art that dissolves the symbolic in the mutable, like Icarus, approaches the sun &#8211; too close, perhaps. But that is precisely the point: to burn away certainties and see what remains.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"731\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Icarus-Container-2025.-Veduta-dellinstallazione-Pirellli-HangarBicocca-Milan-2025.-\u00a9YANAGI-STUDIO.-Courtesy-lartista-e-Pirellli-HangarBicocca.jpg\" alt=\"\" \/><figcaption>Icarus Container 2025. Veduta dell&#8217;installazione, Pirellli HangarBicocca, Milan, 2025. \u00a9YANAGI STUDIO. Courtesy l&#8217;artista e Pirellli HangarBicocca<\/figcaption><\/figure>\n<figure>\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"731\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/OGR-EXPOSED-2025-Alan-Butler.-Ph-Perrottino.-Courtesy-OGR.jpeg\" alt=\"\" \/><figcaption>OGR EXPOSED 2025- Alan Butler. Ph Perrottino. Courtesy OGR<\/figcaption><\/figure>\n<h4>Almost Real. From Trace to Simulation<strong> <br \/><\/strong>16.04 &#8211; 02.06.2025<\/h4>\n<h5>OGR, Turin<\/h5>\n<p style=\"background: white;\">Yukinori Yanagi&#8217;s imposing installations rewrite industrial space, transforming it into a borderland of power, migration and identity. The artist goes further: flags eroded by ants, containers and barrels that tell of sovereignty and control. An art that dissolves the symbolic in the mutable, like Icarus, approaches the sun &#8211; too close, perhaps. But the point is precisely this: to burn away certainty and see what remains.Is reality a simulation? Three artists &#8211; Butler, Al-Badri, Lek &#8211; traverse AI, video games and imagined archaeologies to unmask the illusion of the real. The exhibition, curated by Piazza and Vitale, asks not what we see, but who decides what is real. Technology, image, power. Beneath the surface, everything wavers.<\/p>\n<h5>Beatrice Rainone<\/h5>\n<p style=\"background: white;\">Graduated in Art History at the University of Florence with a thesis on the concept of reproducibility in crypto-art, she currently works in various cultural institutions in Tuscany, including Fondazione Palazzo Strozzi, Centro per l&#8217;arte contemporanea Luigi Pecci, Fondazione Pistoia Musei, Museo del Tessuto.<\/p>\n","protected":false},"author":8,"featured_media":2534,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"rubriche_category":[],"class_list":["post-3056","rubrica","type-rubrica","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica\/3056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/rubrica"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/2534"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=3056"}],"wp:term":[{"taxonomy":"rubriche_category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubriche_category?post=3056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}