{"id":3044,"date":"2025-06-03T12:31:54","date_gmt":"2025-06-03T10:31:54","guid":{"rendered":"https:\/\/lab.the-bunker.it\/rubrica\/june-event-selection-i-2\/"},"modified":"2025-11-20T03:42:56","modified_gmt":"2025-11-20T02:42:56","slug":"june-event-selection-i","status":"publish","type":"rubrica","link":"https:\/\/lab.the-bunker.it\/en\/rubrica\/june-event-selection-i\/","title":{"rendered":"June Event Selection I"},"content":{"rendered":"<p><a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Dissolvenze-Corrispondere-al-tempo.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"NEXT UP I JUNE_ BEATRICE RAINONE_THE BUNKER MAGAZINE_00\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU4MjUsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDZcL0Rpc3NvbHZlbnplLUNvcnJpc3BvbmRlcmUtYWwtdGVtcG8uanBnIn0%3D\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Dissolvenze-Corrispondere-al-tempo.jpg\" alt=\"\" width=\"600\" height=\"400\" \/> <\/a><\/p>\n<h1>NEXT UP<\/h1>\n<h4>JUNE 2025<\/h4>\n<h2>Event Selection I<\/h2>\n<p>NEXT UP is the column curated by Beatrice Rainone, dedicated to a critical selection of the most significant initiatives that address the new themes and languages with which contemporary art confronts digital culture.<\/p>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/FRAGILE-Sixteen-Atlases-of-Breakage-Foto-di-\u00a9Quiet-Ensembl.jpg\" alt=\"\" width=\"766\" height=\"731\" \/><figcaption>FRAGILE: Sixteen Atlases of Breakage, Quiet Ensemble. Courtesy Rifugio Digitale<\/figcaption><\/figure>\n<h4><strong>FRAGILE: Sixteen Atlases of Breakage<br \/>\n<\/strong>05.28 \u2013 06.15.2025<\/h4>\n<h5>Rifugio Digitale, Florence<\/h5>\n<p>In the secure, armoured heart of a former nuclear bunker, Quiet Ensemble stages an ode to fragility. Sixteen monitors begin to crack, creating iridescent and unique visual landscapes. Vibrations, glows, digital fissures: disaster becomes art.<br data-start=\"451\" data-end=\"454\" \/>Cosmic data collected by the EGO observatory guide this orchestrated collapse. In a place built to withstand every impact, true power is born from the ability to be broken &#8211; to turn every fracture into beauty.<\/p>\n<h4><strong>Dissolvenze | Corrispondere al tempo<br \/>\n<\/strong>15.05 &#8211; 02.08.2025<\/h4>\n<h5>MAD Murate Art District, Florence<\/h5>\n<p>What if transformation were a form of stability?<br data-start=\"916\" data-end=\"919\" \/>Simoncini.Tangi invite us to tune in to the slow time of water, leaves, and oxidation. In an immersive journey through upside-down gardens, plants drawing with light, and metals that record time, nature is not a backdrop but a creator.<br data-start=\"1154\" data-end=\"1157\" \/>The works, born of rain, light, and oxides, do not illustrate nature &#8211; they recreate it. The Arno, a liquid and sensitive archive, guides this exploration: a river that does not flow, but writes.<\/p>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Dissolvenze-Corrispondere-al-tempo.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><figcaption>Dissolvenze | Corrispondere al tempo<br \/>\nMAD Murate Art District, Firenze. Photography by Alisa Martynova. Courtesy MAD Murate Art Discrit<\/figcaption><\/figure>\n<figure><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Elizabeth-Price-SLOW-DANS-GOMA-2023.-Photography-by-Andrew.jpg\" alt=\"\" width=\"766\" height=\"731\" \/><figcaption>Elizabeth Price, SLOW DANS GOMA, 2023. Photography by Andrew Lee. Courtesy Liverpool Biennal<\/figcaption><\/figure>\n<p><strong>Biennale di Liverpool 2025<br \/>\n<\/strong>07.06 \u2013 14.09.2025<\/p>\n<h5>Liverpool, Regno Unito<\/h5>\n<p>Pronti a scavare sotto la superficie?<\/p>\n<p>We do it in an exceptional out-of-Italy presence, at the Liverpool Biennial 2025. <em data-start=\"1707\" data-end=\"1716\">BEDROCK<\/em> &#8211; a name that sounds a bit like a video game &#8211; explores the city&#8217;s social and cultural foundations through digital and immersive installations.<br data-start=\"1860\" data-end=\"1863\" \/>An experience that redefines the concept of a &#8220;solid base&#8221;.<\/p>\n<h5>Beatrice Rainone<\/h5>\n<p style=\"background: white;\">Born in 1999, she is a museum educator and mediator. She graduated in Art History at the University of Florence with a thesis on the concept of reproducibility in crypto-art. She currently works in various cultural institutions in Tuscany, including Fondazione Palazzo Strozzi, Centro per l&#8217;arte contemporanea Luigi Pecci, Fondazione Pistoia Musei, Museo del Tessuto.<\/p>\n","protected":false},"author":8,"featured_media":2051,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"rubriche_category":[],"class_list":["post-3044","rubrica","type-rubrica","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica\/3044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/rubrica"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/2051"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=3044"}],"wp:term":[{"taxonomy":"rubriche_category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubriche_category?post=3044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}