{"id":3026,"date":"2025-08-07T11:50:29","date_gmt":"2025-08-07T09:50:29","guid":{"rendered":"https:\/\/lab.the-bunker.it\/rubrica\/august-event-selection\/"},"modified":"2025-11-26T14:45:53","modified_gmt":"2025-11-26T13:45:53","slug":"august-event-selection","status":"publish","type":"rubrica","link":"https:\/\/lab.the-bunker.it\/en\/rubrica\/august-event-selection\/","title":{"rendered":"August Event Selection"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">AUGUST 2025<\/h4>\n\n\n\n<h2 class=\"wp-block-heading\">Event Selection<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Otras monta\u00f1as, las que andan sueltas bajo el agua<br><\/strong>05.04\u0096 02.11.2025<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Ocean Space, Venice<\/h5>\n\n\n\n<p>Two Caribbean artists, Nadia Huggins and Tessa Mars, transform the historic church of San Lorenzo into a sensory immersion of video, painting and sound. Curated by Yina Jim\u00e9nez Suriel for the tenth anniversary of The Current (TBA21\u0096Academy), the exhibition abandons the terrestrial perspective to embrace the ocean as a space of freedom, metamorphosis and resistance.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Nadia-Huggins-A-shipwreck-is-not-a-wreck-2025.-Vista-del.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Nadia Huggins, \u0093A shipwreck is not a wreck\u0094, 2025. View of the exhibition \u0093otras monta\u00f1as, las que andan sueltas bajo el agua\u0094 [other mountains, dissolved under water], Ocean Space, Venice. Commissioned by TBA21\u0096Academy. Ph. Jacopo Salvi<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Douglas Gordon &#8211; Pretty much every film and video work from about 1992 until now\u0092ish\u0085<br><\/strong>30.05 \u0096 23.11.2025<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">MAXXI, Roma<\/h5>\n\n\n\n<p>A total immersion in the work of Douglas Gordon, master of contemporary video art. Gallery 5 of the MAXXI is transformed into an uninterrupted audiovisual stream where 82 videos play simultaneously, from the famous 24 Hour Psycho to more intimate and experimental installations.<\/p>\n\n\n\n<p>Between hypnotic repetitions and breaks in rhythm, the exhibition transforms time into an uninterrupted flow of images and sounds where the viewer is immersed in gazes and expectations.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Veduta-dellinstallazione-Douglas-Gordon.-Pretty-much-every.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">View of the installation \u0093Douglas Gordon. Pretty much every film and video work from about 1992 until now&#8217;ish&#8230;\u0094 at MAXXI, Rome, 2025. \u00a9 Studio lost but found\/VG Bild-Kunst, Bonn, Germany\/ SIAE 2025. Photograph by Luis Do Rosario. Courtesy of Fondazione MAXXI.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Barbara-Kruger-No-comment.-Veduta-della-mostra-ARoS-Aarhus.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Barbara Kruger, No comment. Exhibition view, ARoS Aarhus Kunstmuseum, Aarhus, 29 November 2024\u009621 April 2025. Courtesy of the artist, ARoS Aarhus Kunstmuseum, Spr\u00fcth Magers, and David Zwirner. Ph. Anders Sune Berg.<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Barbara Kruger: Another day. Another night.<br><\/strong>24.06 \u0096 09.11.2025&nbsp;<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Museo Guggenheim, Bilbao<\/h5>\n\n\n\n<p>An icon of visual art with text, Barbara Kruger transforms art into a digital megaphone. From black and white to immersive projections, the exhibition explores the power of the message and its manipulation in the age of social media, challenging viewers to recognise their role in the ocean of information that surrounds us.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Beatrice Rainone<\/h5>\n\n\n\n<p>Born in 1999, she is an educator and museum mediator. She graduated in Art History from the University of Florence with a thesis on the concept of reproducibility in crypto art. She currently works in various cultural institutions in Tuscany, including the Palazzo Strozzi Foundation, the Luigi Pecci Centre for Contemporary Art, the Pistoia Museums Foundation and the Textile Museum.<\/p>\n","protected":false},"author":8,"featured_media":2309,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"rubriche_category":[53],"class_list":["post-3026","rubrica","type-rubrica","status-publish","has-post-thumbnail","hentry","rubriche_category-next-up"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica\/3026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubrica"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/rubrica"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/2309"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=3026"}],"wp:term":[{"taxonomy":"rubriche_category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/rubriche_category?post=3026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}