{"id":3039,"date":"2025-06-20T09:04:12","date_gmt":"2025-06-20T07:04:12","guid":{"rendered":"https:\/\/lab.the-bunker.it\/rubrica\/the-ghosts-of-fascism-in-the-legend-of-zelda\/"},"modified":"2025-11-12T01:03:27","modified_gmt":"2025-11-12T00:03:27","slug":"the-ghosts-of-fascism-in-the-legend-of-zelda","status":"publish","type":"post","link":"https:\/\/lab.the-bunker.it\/en\/2025\/06\/20\/the-ghosts-of-fascism-in-the-legend-of-zelda\/","title":{"rendered":"The Ghosts of Fascism in The Legend of Zelda"},"content":{"rendered":"<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<p>\u0093An incarnation of my hatred shall ever follow your kind, dooming them to wander a blood-soaked sea of darkness for all time!\u0094 says the demon king Demise in the finale of <i>The Legend of Zelda: Skyward Sword<\/i> by Nintendo (2011), currently the first video game in the complex internal chronology of the fantasy series <i>The Legend of Zelda<\/i> (1986\u0096ongoing). It is the curse that begins the cycle of violence and destruction that defines the saga. In <i>The Legend of Zelda<\/i>, the incarnation of Demise\u0092s hatred, Ganondorf, clashes across different eras and thousands of years with the reincarnations of the protagonist Link and the various Princess Zeldas\u0097descendants of an original Zelda, herself a reincarnation of the goddess Hylia, to whom three creator deities entrusted the kingdom of Hyrule. And, most importantly, to whom they entrusted their power, encapsulated in the three shards of the magical Triforce that Demise first and Ganondorf later try to seize.<\/p>\n<p>Even the original <i>The Legend of Zelda<\/i> (1986) sets us up to explore a Hyrule already destroyed by Ganon (the demonic form of Ganondorf), a land where cities no longer exist and people hide in underground caves while monsters roam the surface. Even when Link manages to save the kingdom, after nearly forty years of entries in the series, we now know that the victory will only ever be temporary and that the world will soon be devastated again\u0097sometimes almost immediately after the events of the previous game, as seen in <i>The Legend of Zelda: Tears of the Kingdom<\/i> (2023), the sequel to <i>The Legend of Zelda: Breath of the Wild<\/i> (2017). As noted by Gerry Canavan (&#8220;The Legend of Zelda in the Anthropocene&#8221;, in <i>English Faculty Research and Publications<\/i>, 2019), Hyrule is trapped in this cycle primarily by the commercial needs of capitalist production and consumption: the Japanese multinational Nintendo must continually place the game world in danger in order to keep developing new episodes featuring a cast of always recognizable characters. But this relentless return of the past also invites a reading through the lens of <i>hauntology<\/i>.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Legend-of-Zelda-Nintendo-1986.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"The Legend of Zelda (Nintendo, 1986)\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU5NDIsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDZcL1RoZS1MZWdlbmQtb2YtWmVsZGEtTmludGVuZG8tMTk4Ni5qcGcifQ%3D%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1430\" height=\"1080\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Legend-of-Zelda-Nintendo-1986.jpg\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Legend-of-Zelda-Nintendo-1986.jpg 1430w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Legend-of-Zelda-Nintendo-1986.jpg 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Legend-of-Zelda-Nintendo-1986-768x580.jpg 768w\" sizes=\"auto, (max-width: 1430px) 100vw, 1430px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>The term <i>hauntology<\/i> is a portmanteau of <i>hant\u00e9<\/i> (haunted, possessed, obsessed) and <i>ontologie<\/i> (ontology), coined by French philosopher Jacques Derrida in <i>Spectres de Marx<\/i> (Routledge, 1994), a work that originated as a series of lectures at the University of California. For Derrida, after the fall of the Soviet Union and what Francis Fukuyama called the &#8220;end of history&#8221; and the apparent final victory of capitalism, the ghost of Karl Marx continues to haunt the world\u0097just as the ghost of communism haunted Europe in the opening lines of Marx and Friedrich Engels&#8217; <i>Communist Manifesto<\/i> (1848). This specter continues to reveal the cruelty of capitalism and, in doing so, inspires alternative futures. <i>Hauntology<\/i>, usually written in English, is thus an anti-ontology that studies not what <i>is<\/i>, but what <i>is not<\/i>\u0097or rather, what both is and is not, like ghosts. What no longer is, or what is not yet, and yet still affects the present\u0097haunting it. Hauntology is a framework for interpreting reality that focuses on what has been left out: an ontology of what has been repressed, which returns in spectral form, as a compulsion to repeat a buried trauma.<\/p>\n<p>\u0093There are also design reasons why video games, perhaps more than other media, invite hauntological thinking,\u0094 said Stefano Caselli, author of <i>A Phantom World. For a Hauntology of Breath of the Wild<\/i> in <i>The Legend of Zelda. Aesthetics, Morphologies and Representations of an Endless Cycle<\/i> (edited by Luca Papale, Ledizioni, 2024). \u0093When we spatialize narrative, as happens in a video game, we remove the narrative from time and place it in space. Game design is all cartography\u0097that\u0092s why video games are full of post-apocalyptic narratives that tell the past through space. Moreover, in a video game, the player is an agent who doesn\u0092t belong to the game world. Your very ability to act in the game is ghostly.\u0094<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image.webp\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"image\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU5NDQsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDZcL2ltYWdlLndlYnAifQ%3D%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image.webp\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image.webp 1920w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image.webp 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-768x432.webp 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-1536x864.webp 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>The entire main character triad of <i>The Legend of Zelda<\/i> is haunted by the past, forced into predetermined roles for millennia, and lives in a world of ruins\u0097of Hyrule\u0092s past and the series&#8217; past, through references and callbacks. But it is Ganondorf who is the true ghost. Starting with <i>The Legend of Zelda: Ocarina of Time<\/i> (1998), Ganondorf is often foretold or accompanied by his ghosts, as though even in life he were already dead\u0097or already a ghost himself. Because in <i>The Legend of Zelda<\/i>, Ganondorf is the great repressed, the unspeakable. The only man among the Gerudo, a people forced to live in a deathly desert while Princess Zelda\u0092s kingdom enjoys the grassy pastures of Hyrule. A people of only women, dark-skinned thieves whose costumes are inspired by Middle Eastern dress\u0097a characterization that, within the sexist and racist imaginary underpinning <i>The Legend of Zelda<\/i>, defines the Gerudo as savage, primitive, inhuman. A non-culture. When the Triforce is shattered into its three parts in <i>Ocarina of Time<\/i> (and remains broken in later titles, even further divided in some), Link receives the shard of Courage, Zelda that of Wisdom, but Ganondorf is given the shard of Power. The so-called civil world\u0097the world of Link and Zelda\u0097wants to erase and forget Ganondorf\u0092s almost primordial (and demonic) violence, yet that violence is itself part of the world\u0092s balance, and is therefore fated to return.<\/p>\n<p>\u0093Demons\u0097especially those from Japanese culture\u0097move between the visible and the invisible, between past and present; they represent not only the dead, but also that which was never realized\u0097or is yet to be realized,\u0094 writes Diletta Coppi in issue 28 of <i>Charta Sporca<\/i>, dedicated to Ghosts. \u0093They are the shadow of what has been discarded, repressed, forgotten. In a world imagined as fully realized, one that seeks to reduce all resistance to mere conformist whims, ghosts are the last &#8216;real&#8217; symbols of what refuses to be absorbed into the system structuring our perception of reality. Traces, resistances, remnants of what dominant discourses cannot digest\u0094 (<i>italics in the original<\/i>).<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Decomposing Corpse of Ganondorf (JohnLee Cooper, 2024) [1]\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU5NDUsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDZcL0RlY29tcG9zaW5nLUNvcnBzZS1vZi1HYW5vbmRvcmYtSm9obkxlZS1Db29wZXItMjAyNC0xLmpwZyJ9\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1.jpg\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1.jpg 1920w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1.jpg 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1-768x432.jpg 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Decomposing-Corpse-of-Ganondorf-JohnLee-Cooper-2024-1-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>Ganondorf\u0092s cyclical return is used by JohnLee Cooper to narrate the cyclical return of fascism in <i>Decomposing Corpse of Ganondorf<\/i>. A piece of <a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/],\">plundercore<\/a>\u0097a video game created using elements taken from other video games and, in this case, from the internet. Assets conjured from the past to haunt. The game was developed for the Paradise Blitz Jam 8 event, themed around the <i>palimpsest<\/i>\u0097a text that has been erased to reuse its medium, yet usually retains a trace, a ghost. In <i>Decomposing Corpse of Ganondorf<\/i>, you are a swarm of flies that grows by devouring the corpses\u0097the 3D models\u0097of various Ganondorfs from the <i>Zelda<\/i> series, scattered among the skyscrapers of a city pulled from the Fourside setting in <i>Super Smash Bros. Melee<\/i> (HAL Laboratory, Intelligent Systems, Nintendo, 2001). At the center of the scene, however, are also two texts, including a reproduction of the English Wikipedia paragraph describing the public display of Benito Mussolini\u0092s corpse in Piazzale Loreto in 1945. \u0093Ganondorf seemed like an apt metaphor for this 2020s recurrence of fascism that we&#8217;re seeing everywhere\u0094 Cooper told us.<\/p>\n<p>\u0093In my country today there are some who say that the War of Liberation was a tragic period of division, and that all we need is national reconciliation,\u0094 said Umberto Eco in his 1995 lecture at Columbia University, later published as <i>Eternal Fascism<\/i> (<i>Ur-Fascism<\/i>, published on The New York Review of Books). \u0093The memory of those terrible years should be repressed, <i>refoul\u00e9e<\/i>, <i>verdr\u00e4ngt<\/i>. But <i>Verdr\u00e4ngung<\/i> causes neurosis.\u0094 And Eco went on: \u0093[&#8230; E]ven though political regimes can be overthrown, and ideologies can be criticized and disowned, behind a regime and its ideology there is always a way of thinking and feeling, a group of cultural habits, of obscure instincts and unfathomable drives. Is there still another ghost stalking Europe (not to speak of other parts of the world)?\u0094<\/p>\n<h5>MATTEO LUPETTI<\/h5>\n<p>Matteo Lupetti writes about art criticism, digital art and video games in publications such as Artribune and Il Manifesto and abroad. He has been on the editorial board of the radical magazine menelique and the artistic direction of the reality narrations festival Cretecon. His first book is \u0091UDO. 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\/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Foto di Farha Edenia su unsplash\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tAnimal Technologies: When Nature Anticipates Human Ingenuity<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a 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width=\"1000\" height=\"1080\"  alt=\"LUPETTI_QUEER_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tHow to Queerly Hijack a Video Game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\" rel=\"bookmark\">How to Queerly Hijack a Video Game<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Between Us and the Machine. Simulation, Intentionality and Artificial Desire\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/between-us-and-the-machine-simulation-intentionality-and-artificial-desire\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Senza-titolo-1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Senza-titolo-1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MARTINA MACCIANTI_THE BUNKER MAGAZINE_DESIDERIO E INTENZIONALITA_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/between-us-and-the-machine-simulation-intentionality-and-artificial-desire\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tBetween Us and the Machine. Simulation, Intentionality and Artificial Desire<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/between-us-and-the-machine-simulation-intentionality-and-artificial-desire\/\" rel=\"bookmark\">Between Us and the Machine. Simulation, Intentionality and Artificial Desire<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Rent-a-Robot: the new business trend in China\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rent-a-robot-the-new-business-trend-in-china\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ROBOT_GALA_CAPODANNO-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ROBOT_GALA_CAPODANNO-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"900\"  alt=\"CAMILLAFATTICCIONI_FAREAST_ROBOT_01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rent-a-robot-the-new-business-trend-in-china\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tRent-a-Robot: the new business trend in China<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rent-a-robot-the-new-business-trend-in-china\/\" rel=\"bookmark\">Rent-a-Robot: the new business trend in China<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Experiments in Computational Democracy: How AI Might Help Us Trust the State Again\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/experiments-in-computational-democracy-how-ai-might-help-us-trust-the-state-again\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"574\"  alt=\"NICCOLOCARRADORI_THEBUNKER_STATO_0\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/experiments-in-computational-democracy-how-ai-might-help-us-trust-the-state-again\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tExperiments in Computational Democracy: How AI Might Help Us Trust the State Again<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/experiments-in-computational-democracy-how-ai-might-help-us-trust-the-state-again\/\" rel=\"bookmark\">Experiments in Computational Democracy: How AI Might Help Us Trust the State Again<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"A Secret Third Fire\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-01-21-at-21.31.31-1-thegem-product-justified-square-double-page-l.jpeg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-01-21-at-21.31.31-1-thegem-product-justified-square-double-page-l.jpeg\" width=\"1000\" height=\"1200\"  alt=\"VIOLA GIACALONE_TERZO INCENDIO SEGRETO_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tA Secret Third Fire<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\" rel=\"bookmark\">A Secret Third Fire<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Syntax War\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-03-17-alle-12.49.44-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-03-17-alle-12.49.44-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MARTINA MACCIANTI_THE BUNKER MAGAZINE_SYNTAX WAR_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tSyntax War<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\" rel=\"bookmark\">Syntax War<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Luigi Mangione has ended up in a video game\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"MATTEO LUPETTI_PLUNDERLUDICS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tLuigi Mangione has ended up in a video game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\" rel=\"bookmark\">Luigi Mangione has ended up in a video game<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Is It Finally Time to Scale Down Expectations for Tech Tycoons?\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg\" width=\"770\" height=\"513\"  alt=\"NICCOLO CARRADORI_MUSK_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tIs It Finally Time to Scale Down Expectations for Tech Tycoons?<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\" rel=\"bookmark\">Is It Finally Time to Scale Down Expectations for Tech Tycoons?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_META_NEWS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\" rel=\"bookmark\">The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Media Panic and the Sisyphus Syndrome\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"768\"  alt=\"FRANCESCO D&#039;ISA_MEDIA PANIC_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tMedia Panic and the Sisyphus Syndrome<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\" rel=\"bookmark\">Media Panic and the Sisyphus Syndrome<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The girlies love the vibes and that\u0092s just what it\u0092s about\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg\" width=\"720\" height=\"716\"  alt=\"VIOLA_GIACALONE_THE BUNKER MAGAZINE_VIBES_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe girlies love the vibes and that\u0092s just what it\u0092s about<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\" rel=\"bookmark\">The girlies love the vibes and that\u0092s just what it\u0092s about<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Neuromancer: The Novel That Questioned Our Identity in the Digital World\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_NEUROMANCER_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tNeuromancer: The Novel That Questioned Our Identity in the Digital World<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\" rel=\"bookmark\">Neuromancer: The Novel That Questioned Our Identity in the Digital Worl<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0093An incarnation of my hatred shall ever follow your kind, dooming them to wander a blood-soaked sea of darkness for all time!\u0094 says the demon king Demise in the finale of The Legend of Zelda: Skyward Sword by Nintendo (2011), currently the first video game in the complex internal chronology of the fantasy series The [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":1260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"class_list":["post-3039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/3039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/comments?post=3039"}],"version-history":[{"count":1,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/3039\/revisions"}],"predecessor-version":[{"id":3116,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/3039\/revisions\/3116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/1260"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=3039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/categories?post=3039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}