{"id":2077,"date":"2025-04-24T14:25:01","date_gmt":"2025-04-24T12:25:01","guid":{"rendered":"https:\/\/lab.the-bunker.it\/2025\/04\/24\/animal-technologies-when-nature-anticipates-human-ingenuity\/"},"modified":"2025-11-11T23:43:14","modified_gmt":"2025-11-11T22:43:14","slug":"animal-technologies-when-nature-anticipates-human-ingenuity","status":"publish","type":"post","link":"https:\/\/lab.the-bunker.it\/en\/2025\/04\/24\/animal-technologies-when-nature-anticipates-human-ingenuity\/","title":{"rendered":"Animal Technologies: When Nature Anticipates Human Ingenuity"},"content":{"rendered":"<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<h1>NET ECOLOGY<\/h1>\n<h5>di Laura Cocciolillo<\/h5>\n<h2>We are often inclined to regard technology as a product exclusively born of human ingenuity\u0097a prerogative of our species to dominate and transform the world. Yet, when observing the relationship between humans, creativity, and technology, one cannot help but ask: what if there were other forms of ingenuity?<\/h2>\n<p>This thesis is explored by Jussi Parikka, who in his seminal work <i>Insect Media: An Archaeology of Animals and Technology<\/i>, proposes a radical break from this anthropocentric view. He suggests that technology is not solely a human affair, but rather a distributed process\u0097embedded also in the bodies and behaviours of animals. The communicative, constructive, and organisational behaviours of insects\u0097from the dances of bees to the tunnels of termites\u0097thus become conceptual tools for rethinking our own notions of media and innovation.<\/p>\n<p>Parikka paves the way for a posthuman reading of technology, demonstrating how even in the 19th century, entomologists and philosophers recognised forms of \u0093natural technicality\u0094 in insects. Spider webs, for instance, were described as communication systems\u0097true signalling webs capable of transmitting information about the type and weight of trapped prey. The perfectly geometric beehives anticipate modular engineering and algorithmic design. Likewise, the acoustic signals of cetaceans, the vector dances of bees, and the collective architectures of termites form cognitive environments and distributed systems that operate without a centralised command\u0097following the logic of <i>swarm intelligence<\/i> now present in artificial neural networks and autonomous robots.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Tomas-Saraceno.-Gravitational-Waves-Foto-Kristof-Vrancken-2018.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Tomas Saraceno. Gravitational Waves Foto Kristof Vrancken (2018)\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU1MjQsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDRcL1RvbWFzLVNhcmFjZW5vLi1HcmF2aXRhdGlvbmFsLVdhdmVzLUZvdG8tS3Jpc3RvZi1WcmFuY2tlbi0yMDE4LmpwZyJ9\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"748\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Tomas-Saraceno.-Gravitational-Waves-Foto-Kristof-Vrancken-2018.jpg\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Tomas-Saraceno.-Gravitational-Waves-Foto-Kristof-Vrancken-2018.jpg 1440w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Tomas-Saraceno.-Gravitational-Waves-Foto-Kristof-Vrancken-2018.jpg 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Tomas-Saraceno.-Gravitational-Waves-Foto-Kristof-Vrancken-2018-768x399.jpg 768w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>One of the key insights of the text is the use of ethology\u0097the study of animal behaviour\u0097as a paradigm for thinking about media. Jakob von Uexk\u00fcll, an early 20th-century ethologist, argued that every animal lives in an \u0093<i>Umwelt<\/i>\u0094, a perceptual world constructed in relation to its own body and sensory abilities. If we extend this logic, we might say that every medium\u0097whether natural or technological\u0097creates its own <i>Umwelt<\/i>: a reality of signals, flows, and perceptions. In this sense, media are not merely tools, but fields of force\u0097transindividual environments where perceptions take shape. Technology, then, is not limited to human artefacts: it is what enables orientation, memory, and connection. It is present in nature as the invisible infrastructure of life.<\/p>\n<p>The parallel between insects and digital technologies becomes especially apparent in how the former inspire the design of contemporary computational systems. Parikka references Craig Reynolds\u0092 \u0093boids\u0094\u0097digital simulations that replicate the collective behaviour of flocks and swarms. These algorithms, based on simple rules of proximity and direction, have been used in cinema and military contexts for the automatic coordination of drones. The simplicity of individual agents gives rise to emergent complexity\u0097a lesson drawn directly from ants and bees.<\/p>\n<h4 id=\"thegem-heading-8431f26\" data-animation-name=\"lines-slide-up\" data-animation-interval=\"80\">The interest in insects is not merely scientific or artistic\u0097it is deeply political. The decentralised structures of swarms have become operative metaphors for asymmetric warfare and biopolitical power.<\/h4>\n<style type=\"text\/css\">#thegem-heading-8431f26 {margin: 0;}#thegem-heading-8431f26 {margin-left: auto; margin-right: auto;}#thegem-heading-8431f26 > * {justify-content: center;}<\/style>\n<p>Moreover, numerous contemporary works explicitly incorporate non-human life forms. Consider Garnet Hertz\u0092s cockroach-driven robot, or the experimental film <i>Wax, or the Discovery of Television Among the Bees<\/i> by David Blair, in which the perception of bees becomes a metaphor for a new form of sensory mediation. In bioart, we find emblematic examples such as Timo Kahlen\u0092s installation <i>Swarm<\/i>, which transforms a physical space into an immersive sonic environment composed of buzzing bees and vibrations\u0097a kind of \u0093art for insects\u0094, as Matthew Fuller puts it. And of course, we cannot overlook the \u0093webs\u0094 of Tom\u00e1s Saraceno.<\/p>\n<p>As Parikka explains, the interest in insects is not merely scientific or artistic\u0097it is deeply political. The decentralised structures of swarms have become operative metaphors for asymmetric warfare and biopolitical power. The organisation of termites and bees has been used to rethink governance, surveillance technologies, and algorithmic control. The swarm paradigm\u0097as a network without a centre\u0097is now central to the functioning of social networks and media theory alike.<\/p>\n<p>This leads to a critical reflection on the nature of power in the contemporary technosphere. If insects teach us a form of distributed intelligence, they also confront us with the risks of total automation, of systems spiralling out of control\u0097an idea already imagined by Norbert Wiener\u0092s cybernetics or in the figure of the \u0093subjectless swarm\u0094 evoked by Michael Hardt.<\/p>\n<p>It is crucial to stress that this inquiry is not an invitation to exploit nature as a ready-made reservoir of technological solutions. The aim is not to suggest that humans can simply \u0093draw upon\u0094 the natural world to learn its mechanisms and appropriate them, as such an attitude risks reproducing a colonial mindset toward living systems. On the contrary, the ultimate aim of this reflection is to decentre the human, breaking with anthropocentrism and recognising that intelligence and technology are not exclusively human traits. This implies imagining forms of collaboration and co-evolution with other species and natural systems, rather than processes of appropriation or domination.<\/p>\n<p>Ultimately, embracing the perspective of living technologies means acknowledging that mediation and intelligence extend well beyond the human\u0097and that only from this awareness can we envision truly sustainable technological practices.<\/p>\n<p>\u00a0<\/p>\n<h5><strong>Laura Cocciolillo<\/strong><\/h5>\n<p>Is an art historian specialising in art and new technologies and new media aesthetics. Since 2019 she has been collaborating with Artribune (for which she is currently in charge of new media content). In 2020 she founded Chiasmo Magazine, an independent and self-funded Contemporary Art magazine. From 2023 he is web editor for Sky Arte, and from the same year he takes care, for art-frame, of the column \u0091New Media\u0092, dedicated to digital art.<\/p>\n<h1>READ MORE<\/h1>\n<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Animal Technologies: When Nature Anticipates Human Ingenuity\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Foto di Farha Edenia su unsplash\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tAnimal Technologies: When Nature Anticipates Human Ingenuity<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\" rel=\"bookmark\">Animal Technologies: When Nature Anticipates Human Ingenuity<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"How to Queerly Hijack a Video Game\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Radiator-1-Robert-Yang-2009-2015-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Radiator-1-Robert-Yang-2009-2015-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"LUPETTI_QUEER_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tHow to Queerly Hijack a Video Game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\" rel=\"bookmark\">How to Queerly Hijack a Video Game<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Between Us and the Machine. 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href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"MATTEO LUPETTI_PLUNDERLUDICS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tLuigi Mangione has ended up in a video game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\" rel=\"bookmark\">Luigi Mangione has ended up in a video game<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Is It Finally Time to Scale Down Expectations for Tech Tycoons?\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg\" width=\"770\" height=\"513\"  alt=\"NICCOLO CARRADORI_MUSK_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tIs It Finally Time to Scale Down Expectations for Tech Tycoons?<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\" rel=\"bookmark\">Is It Finally Time to Scale Down Expectations for Tech Tycoons?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_META_NEWS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\" rel=\"bookmark\">The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Media Panic and the Sisyphus Syndrome\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"768\"  alt=\"FRANCESCO D&#039;ISA_MEDIA PANIC_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tMedia Panic and the Sisyphus Syndrome<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\" rel=\"bookmark\">Media Panic and the Sisyphus Syndrome<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The girlies love the vibes and that\u0092s just what it\u0092s about\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg\" width=\"720\" height=\"716\"  alt=\"VIOLA_GIACALONE_THE BUNKER MAGAZINE_VIBES_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe girlies love the vibes and that\u0092s just what it\u0092s about<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\" rel=\"bookmark\">The girlies love the vibes and that\u0092s just what it\u0092s about<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Neuromancer: The Novel That Questioned Our Identity in the Digital World\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_NEUROMANCER_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tNeuromancer: The Novel That Questioned Our Identity in the Digital World<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\" rel=\"bookmark\">Neuromancer: The Novel That Questioned Our Identity in the Digital World<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"What is Bluesky, the Social Network for X\u0092s Fugitives?\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Bluesky-his-new-user-landmark-as-The-Guardian-leads-a-huge-X-odus-thegem-product-justified-square-double-page-l.webp 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Bluesky-his-new-user-landmark-as-The-Guardian-leads-a-huge-X-odus-thegem-product-justified-square-double-page-l.webp\" width=\"1000\" height=\"1080\"  alt=\"NICCOLO CARRADORI_BLUESKY_NEWS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tWhat is Bluesky, the Social Network for X\u0092s Fugitives?<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\" rel=\"bookmark\">What is Bluesky, the Social Network for X\u0092s Fugitives?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"ACIDS: new models of interaction between music and machines\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Un-frame-da-Convergence-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Un-frame-da-Convergence-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1113\"  alt=\"PIERLUIGI FANTOZZI_IRCAM_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tACIDS: new models of interaction between music and machines<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\" rel=\"bookmark\">ACIDS: new models of interaction between music and machines<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Even AI gets bored at work\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/even-ai-gets-bored-at-work\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/I-cant-help-myself_NC-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/I-cant-help-myself_NC-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"I can&#039;t help myself_NC\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/even-ai-gets-bored-at-work\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tEven AI gets bored at work<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/even-ai-gets-bored-at-work\/\" rel=\"bookmark\">Even AI gets bored at work<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The digital future of China\u0092s cultural heritage\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-digital-future-of-chinas-cultural-heritage\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Hong-Kong-Heritage-Museum-di-Sha-Tin.-Ph-Xiaomei-Chen-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Hong-Kong-Heritage-Museum-di-Sha-Tin.-Ph-Xiaomei-Chen-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"CAMILLA FATTICCIONI, THE BUNKER MAGAZINE 03\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-digital-future-of-chinas-cultural-heritage\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe digital future of China\u0092s cultural heritage<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-digital-future-of-chinas-cultural-heritage\/\" rel=\"bookmark\">The digital future of China\u0092s cultural heritage<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Pergola is ready to blossom again thanks to the Blooming Festival\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/pergola-is-ready-to-blossom-again-thanks-to-the-blooming-festival\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Guillaume-Marmin_cr-OlegSavunov-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Guillaume-Marmin_cr-OlegSavunov-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"ALESSANDRO MANCINI_BLOOMING FESTIVAL_THE BUNKER_03\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/pergola-is-ready-to-blossom-again-thanks-to-the-blooming-festival\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tPergola is ready to blossom again thanks to the Blooming Festival<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/pergola-is-ready-to-blossom-again-thanks-to-the-blooming-festival\/\" rel=\"bookmark\">Pergola is ready to blossom again thanks to the Blooming Festival<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Museum education in the digital era: strategies and challenges\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/museum-education-in-the-digital-era-strategies-and-challenges\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Educazione-museale-nellera-digitale-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Educazione-museale-nellera-digitale-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"BEATRICE RAINONE_THE BUNKER_2\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/museum-education-in-the-digital-era-strategies-and-challenges\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tMuseum education in the digital era: strategies and challenges<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/museum-education-in-the-digital-era-strategies-and-challenges\/\" rel=\"bookmark\">Museum education in the digital era: strategies and challenges<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"A journey into the borderless art of Max Magaldi\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-journey-into-the-borderless-art-of-max-magaldi\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Vainglory_Max-Magaldi_ph-Roberto-Conte_1-copy-1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Vainglory_Max-Magaldi_ph-Roberto-Conte_1-copy-1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1175\"  alt=\"\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-journey-into-the-borderless-art-of-max-magaldi\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tA journey into the borderless art of Max Magaldi<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-journey-into-the-borderless-art-of-max-magaldi\/\" rel=\"bookmark\">A journey into the borderless art of Max Magaldi<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Virtual reality and urban space\" style=\"max-width: 110%\" \/>\n\t\t<\/pict \n\n","protected":false},"excerpt":{"rendered":"<p>NET ECOLOGY di Laura Cocciolillo We are often inclined to regard technology as a product exclusively born of human ingenuity\u0097a prerogative of our species to dominate and transform the world. Yet, when observing the relationship between humans, creativity, and technology, one cannot help but ask: what if there were other forms of ingenuity? This thesis [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":1336,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-2077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/2077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/comments?post=2077"}],"version-history":[{"count":0,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/2077\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/1336"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=2077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/categories?post=2077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}