{"id":1910,"date":"2025-01-21T13:41:40","date_gmt":"2025-01-21T12:41:40","guid":{"rendered":"https:\/\/lab.the-bunker.it\/2025\/01\/21\/latent-structures-between-generative-models-and-contemporary-design\/"},"modified":"2025-11-11T23:43:19","modified_gmt":"2025-11-11T22:43:19","slug":"latent-structures-between-generative-models-and-contemporary-design","status":"publish","type":"post","link":"https:\/\/lab.the-bunker.it\/en\/2025\/01\/21\/latent-structures-between-generative-models-and-contemporary-design\/","title":{"rendered":"Latent Structures: Between Generative Models and Contemporary Design"},"content":{"rendered":"<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<p>The meteoric rise of generative models capable of creating text and images has revealed the immense potential of using artificial intelligence in the creative process of designers and architects. Research is advancing relentlessly, laying the foundations for a new generation of models capable of transforming textual or graphic input into three-dimensional objects, ready to revolutionise existing design paradigms.<br \/>We talk about it with<strong><a href=\"https:\/\/www.george-guida.com\/\">\u00a0 George Guida<\/a><\/strong>,\u00a0researcher at the Harvard Laboratory for Design Technologies, is co-founder of ArchiTAG and xFigura. An expert in AI for architecture, he integrates technology and design with global and academic projects.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures_giff.gif\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"FABIO GNASSI_GEORGE GUIDA_NERF_THE BUNKER MAGAZINE-00\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTQzNzQsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDFcL1plcm9fQ2FyYm9uX0Z1dHVyZXNfZ2lmZi5naWYifQ%3D%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1275\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures_giff.gif\" alt=\"\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption>Zero Carbon Futures &#8211; AI for sustainable design and real-time 3D visualisations. Project by George Guida, Daniel Escobar, Carlos Navarro. <\/figcaption><\/figure>\n<h5>3D generative models are based on a process known as &#8220;ML Representation,&#8221; a particular form of representation that can be achieved through various techniques. Can you explain how it works?<\/h5>\n<p>3D generative models use different approaches to create three-dimensional objects with AI. Unlike text and images, which benefit from abundant and well-defined datasets, training for 3D generation presents greater challenges. In architecture, 3D datasets are fragmented across various formats (mesh, NURBS, surfaces, etc.) and are difficult to centralise due to intellectual property issues. Moreover, processing them requires high computational power.<\/p>\n<p>To tackle these challenges, new approaches have emerged, which I have explored as a researcher at the Harvard Graduate School of Design. These include techniques based on language models (LLMs) or &#8220;multiview&#8221; processes that utilise 2D images to generate 3D objects. One example is &#8220;Gaussian Splatting,&#8221; popular in 2023. Similar to photogrammetry, it leverages AI to produce high-quality results, now applicable in architecture for digital reconstructions or innovative concepts.<\/p>\n<h4 id=\"thegem-heading-8431f26\" data-animation-name=\"lines-slide-up\" data-animation-interval=\"80\">We explore the impact of real-time AI applications, enriching traditional methods. We believe in using AI to give citizens a voice, helping them imagine better urban spaces.<\/h4>\n<style type=\"text\/css\">#thegem-heading-8431f26 {margin: 0;}#thegem-heading-8431f26 {margin-left: auto; margin-right: auto;}#thegem-heading-8431f26 > * {justify-content: center;}<\/style>\n<h5>What is a <em>Gaussian Splat<\/em>, and how does its training process work?<\/h5>\n<p>A Gaussian Splat is an innovative technique for representing 3D objects through Gaussian functions, which overlap to recreate complex surfaces. This methodology has evolved from Neural Radiance Fields (NeRF), offering greater efficiency and more refined visual results, and it is particularly useful in architecture and design.<\/p>\n<p>The training process involves optimising the position, size, and intensity of the Gaussians to fit the reference data, such as images or point clouds. At my architecture firm, ArchiTAG, we have integrated this technology into an advanced workflow combining Unity and Google Maps&#8217; API. This allows us to digitally scan a site, modify it with text prompts and image processors, and visualise the results in real-time.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"FABIO GNASSI_GEORGE GUIDA_NERF_THE BUNKER MAGAZINE-01\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTQzNzYsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDFcLzA0X1ZFX05lUkYuanBnIn0%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF.jpg\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF.jpg 1920w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF.jpg 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF-768x432.jpg 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/04_VE_NeRF-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption>Architectural concept generated with AI, between innovative forms and sustainable design. ArchiTAG<\/figcaption><\/figure>\n<h5>Beyond research, you also pursue a professional career with the firm ArchiTAG. What role does artificial intelligence play in your design process?<\/h5>\n<p>At my firm, ArchiTAG, artificial intelligence (AI) is integrated into all projects, especially during the conceptual phases. This approach reflects my academic work at Harvard University and Wentworth Institute of Technology. One example is a project for a climbing gym in Uganda, where we used AI-driven workflows to transform initial sketches into conceptual images and ML models for environmental analysis.<\/p>\n<p>We explore the real-time impact of AI applications, enriching traditional methods. We believe in using AI to give citizens a voice, helping them imagine better urban spaces. We also provide AI consulting for architecture firms, supporting the adoption of innovative tools to enhance competitiveness and awareness. Recently, we helped a firm develop a RAG model to improve RFP creation, securely integrating an LLM with company data.<\/p>\n<h5>Technological progress is leading to the proliferation of numerous applications that could play a significant role in the compositional process. The implementation and refinement of these products outline a system in which the architect seems to play an increasingly marginal role. What is your opinion on this?<\/h5>\n<p>I always describe artificial intelligence as &#8220;augmented imagination.&#8221; AI can enrich creative workflows if used as support rather than a shortcut. This creates space to curate generative results, optimising them for informed, design-based decisions. It is crucial to maintain an active and critical role in the use of these tools. As Marshall McLuhan said, &#8220;we must shape the tools that in turn shape us.&#8221; Architects must be involved in the development of these technologies, especially now that code is more accessible.<\/p>\n<p>This principle also guides xFigura, a generative ideation startup we will launch in January 2025. It will combine the best AI models in a collaborative space, helping architects and designers harness these technologies without losing their creative identity.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"FABIO GNASSI_GEORGE GUIDA_NERF_THE BUNKER MAGAZINE-02\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTQzNzcsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDFcL1plcm9fQ2FyYm9uX0Z1dHVyZXMuanBnIn0%3D\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures.jpg\" alt=\"\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures.jpg 1920w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures.jpg 600w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures-768x432.jpg 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption>Zero Carbon Futures &#8211; AI for sustainable design and real-time 3D visualisations. Project by George Guida, Daniel Escobar, Carlos Navarro. <\/figcaption><\/figure>\n<h5>You are also one of the first architects addressing the topic of regulating AI use in architecture. What is your opinion on this?<\/h5>\n<p>With the growing use of AI in architecture, it is essential to maintain our decision-making role and the responsibility to ensure the quality of projects for the public. There needs to be a clear definition of what &#8220;responsible AI&#8221; means for our profession.<\/p>\n<p>The European Union has taken decisive steps with the AI Act and the Product Liability Directive. Italy, ranking third globally for supercomputing infrastructure, has the opportunity to lead this discussion rather than follow it. I collaborate with NCARB in the United States and RIBA in the United Kingdom on this topic. I do not believe that AI in architecture should be regulated immediately, but it is crucial to establish a general framework for informed and ethical decisions. AI, currently viewed as a tool to automate tasks like checks and reviews, could evolve into a collaborative agent. We must ensure safeguards for its safe and responsible use.<\/p>\n<h1>READ MORE<\/h1>\n<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Latent Structures: Between Generative Models and Contemporary Design\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/latent-structures-between-generative-models-and-contemporary-design\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures_giff-thegem-product-justified-square-double-page-l.gif 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Zero_Carbon_Futures_giff-thegem-product-justified-square-double-page-l.gif\" width=\"1000\" height=\"1199\"  alt=\"FABIO GNASSI_GEORGE GUIDA_NERF_THE BUNKER MAGAZINE-00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/latent-structures-between-generative-models-and-contemporary-design\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tLatent Structures: Between Generative Models and Contemporary Design<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/latent-structures-between-generative-models-and-contemporary-design\/\" rel=\"bookmark\">Latent Structures: Between Generative Models and Contemporary Design<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Internet is Broken, and It\u0092s Up to Us to Fix It. 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Boxes?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The cyberpunk and existentialist art of Riccardo Benassi lands at MAXXI\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-cyberpunk-and-existentialist-art-of-riccardo-benassi-lands-at-maxxi\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/MAXXI-BVLGARI-PRIZE_RiccardoBenassi_ASSENZAHAH-ESSENZAHAH-2024_ph.MUSA_-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/MAXXI-BVLGARI-PRIZE_RiccardoBenassi_ASSENZAHAH-ESSENZAHAH-2024_ph.MUSA_-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"ALESSANDRO MANCINI_BENASSI_\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-cyberpunk-and-existentialist-art-of-riccardo-benassi-lands-at-maxxi\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe cyberpunk and existentialist art of Riccardo Benassi lands at MAXXI<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-cyberpunk-and-existentialist-art-of-riccardo-benassi-lands-at-maxxi\/\" rel=\"bookmark\">The cyberpunk and existentialist art of Riccardo Benassi lands at MAXXI<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Gaming, AR and metaverse: Raffaella Camera talks about the digital future of branding\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/gaming-ar-and-metaverse-raffaella-camera-talks-about-the-digital-future-of-branding\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-1-1-thegem-product-justified-square-double-page-l.webp 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-1-1-thegem-product-justified-square-double-page-l.webp\" width=\"1000\" height=\"1080\"  alt=\"ALESSANDRO MANCINI_RAFFAELLA CAMERA_THEBUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/gaming-ar-and-metaverse-raffaella-camera-talks-about-the-digital-future-of-branding\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tGaming, AR and metaverse: Raffaella Camera talks about the digital future of branding<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/gaming-ar-and-metaverse-raffaella-camera-talks-about-the-digital-future-of-branding\/\" rel=\"bookmark\">Gaming, AR and metaverse: Raffaella Camera talks about the digital future of branding<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Light as a Universal Language: the Art of Federica Di Carlo lands in Giza\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/light-as-a-universal-language-the-art-of-federica-di-carlo-lands-in-giza\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/I-SEE-I-SEE-Federica-Di-Carlo-Zoom-2-Pyramids-Giza-@federicadicarlostudio-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/I-SEE-I-SEE-Federica-Di-Carlo-Zoom-2-Pyramids-Giza-@federicadicarlostudio-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"ALESSANDRO MANCINI_FEDERICA DI CARLO_THE BUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/light-as-a-universal-language-the-art-of-federica-di-carlo-lands-in-giza\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tLight as a Universal Language: the Art of Federica Di Carlo lands in Giza<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/light-as-a-universal-language-the-art-of-federica-di-carlo-lands-in-giza\/\" rel=\"bookmark\">Light as a Universal Language: the Art of Federica Di Carlo lands in Giza<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Exceeding Limits: Intersections and the Evolution of Marketing in the Age of AI\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/exceeding-limits-intersections-and-the-evolution-of-marketing-in-the-age-of-ai\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/intersections-2023-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/intersections-2023-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MANILA ALFANO_THE BUNKER MAGAZINE_INTERSECTION_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/exceeding-limits-intersections-and-the-evolution-of-marketing-in-the-age-of-ai\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tExceeding Limits: Intersections and the Evolution of Marketing in the Age of AI<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/exceeding-limits-intersections-and-the-evolution-of-marketing-in-the-age-of-ai\/\" rel=\"bookmark\">Exceeding Limits: Intersections and the Evolution of Marketing in the Age of AI<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Crypto Coffer: an Investigation into the Autonomy and Value of Art\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/crypto-coffer-an-investigation-into-the-autonomy-and-value-of-art\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ENXUTO-LOVE-CryptoCoffer-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ENXUTO-LOVE-CryptoCoffer-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"CRIPTOCOFFER_FABIO GNASSI_ENXUTO AND LOVE_ THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/crypto-coffer-an-investigation-into-the-autonomy-and-value-of-art\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tCrypto Coffer: an Investigation into the Autonomy and Value of Art<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/crypto-coffer-an-investigation-into-the-autonomy-and-value-of-art\/\" rel=\"bookmark\">Crypto Coffer: an Investigation into the Autonomy and Value of Art<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Behind the VAIA philosophy: from circularity to the know-how of local craftsmen\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/behind-the-vaia-philosophy-from-circularity-to-the-know-how-of-local-craftsmen\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Ph.Monica_Smaniotto-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Laboratorio_Ph.Monica_Smaniotto-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"ALESSANDRO MANCINI_VAIA_THE BUNKER MAGAZINE_01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/behind-the-vaia-philosophy-from-circularity-to-the-know-how-of-local-craftsmen\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tBehind the VAIA philosophy: from circularity to the know-how of local craftsmen<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/behind-the-vaia-philosophy-from-circularity-to-the-know-how-of-local-craftsmen\/\" rel=\"bookmark\">Behind the VAIA philosophy: from circularity to the know-how of local craftsmen<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Rethinking power structures: the promises of decentralised governance\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rethinking-power-structures-the-promises-of-decentralised-governance\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/673266687853364_LKO-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/673266687853364_LKO-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"PRIMAVERA DE FILIPPI_THE BUNKER MAGAZINE_01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rethinking-power-structures-the-promises-of-decentralised-governance\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tRethinking power structures: the promises of decentralised governance<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rethinking-power-structures-the-promises-of-decentralised-governance\/\" rel=\"bookmark\">Rethinking power structures: the promises of decentralised governance<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Poetics and Practice of Technological Error\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/poetics-and-practice-of-technological-error\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Margine-Dentato-2022-arduino-plexiglass-servomotori.-At-Artiglieria.-PH-Nicola-Rossini-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Margine-Dentato-2022-arduino-plexiglass-servomotori.-At-Artiglieria.-PH-Nicola-Rossini-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MOZZARELLA LIGHT_THE BUNKER MAGAZINE_05\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/poetics-and-practice-of-technological-error\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tPoetics and Practice of Technological Error<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/poetics-and-practice-of-technological-error\/\" rel=\"bookmark\">Poetics and Practice of Technological Error<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Digital Rights of the local and global society\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/digital-rights-of-the-local-and-global-society\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/LUNA-BIANCHI_THE-BUNKER_08-scaled-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/LUNA-BIANCHI_THE-BUNKER_08-scaled-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Woman using virtual screen futuristic technology\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/digital-rights-of-the-local-and-global-society\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tDigital Rights of the local and global society<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/digital-rights-of-the-local-and-global-society\/\" rel=\"bookmark\">Digital Rights of the local and global society<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The great deception of the technological revolutions\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-great-deception-of-the-technological-revolutions\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/THE-BUNKER-MAGAZINE-Intervista-di-Alessandro-Mancini-a-Diletta-Huyskes-scaled-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/THE-BUNKER-MAGAZINE-Intervista-di-Alessandro-Mancini-a-Diletta-Huyskes-scaled-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"THE BUNKER MAGAZINE Intervista di Alessandro Mancini a Diletta Huyskes\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-great-deception-of-the-technological-revolutions\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe great deception of the technological revolutions<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-great-deception-of-the-technological-revolutions\/\" rel=\"bookmark\">The great deception of the technological revolutions<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Art and Emoticons: the language of emotions\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/art-and-emoticons-the-language-of-emotions\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Claire-Fontaine-Left-Right-2023-Pescia-Fiorentina.-Courtesy-the-artist-and-Hypermaremma-photo-credit-Iacopo-Ceravolo-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Claire-Fontaine-Left-Right-2023-Pescia-Fiorentina.-Courtesy-the-artist-and-Hypermaremma-photo-credit-Iacopo-Ceravolo-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Claire Fontaine, Left &amp; Right, 2023, Pescia Fiorentina. Courtesy the artist and Hypermaremma, photo credit Iacopo Ceravolo\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/art-and-emoticons-the-language-of-emotions\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tArt and Emoticons: the language of emotions<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/art-and-emoticons-the-language-of-emotions\/\" rel=\"bookmark\">Art and Emoticons: the language of emotions<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The fascination of immersive art installations: from ground to cosmos\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-fascination-of-immersive-art-installations-from-ground-to-cosmos\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Quiet-Ensamble-Nebula_2_09_4894-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Quiet-Ensamble-Nebula_2_09_4894-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"ALESSANDRO MANCINI_QUIET ENSAMBLE_THE BUNKER 01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-fascination-of-immersive-art-installations-from-ground-to-cosmos\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe fascination of immersive art installations: from ground to<\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Guida, researcher at the Harvard Laboratory for Design Technologies, is co-founder of ArchiTAG and xFigura. An expert in AI for architecture, he integrates technology and design with global and academic projects.<\/p>\n","protected":false},"author":8,"featured_media":1408,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-1910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/comments?post=1910"}],"version-history":[{"count":0,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1910\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/1408"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=1910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/categories?post=1910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}