{"id":1879,"date":"2025-05-30T14:07:23","date_gmt":"2025-05-30T12:07:23","guid":{"rendered":"https:\/\/lab.the-bunker.it\/2025\/05\/30\/media-geology-the-earth-behind-our-screens\/"},"modified":"2025-11-11T23:43:11","modified_gmt":"2025-11-11T22:43:11","slug":"media-geology-the-earth-behind-our-screens","status":"publish","type":"post","link":"https:\/\/lab.the-bunker.it\/en\/2025\/05\/30\/media-geology-the-earth-behind-our-screens\/","title":{"rendered":"Media Geology: The Earth Behind Our Screens"},"content":{"rendered":"<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<h1>NET ECOLOGY<\/h1>\n<h5>di Laura Cocciolillo<\/h5>\n<h2>The digital age wraps itself in the rhetoric of the ether. \u0093Cloud,\u0094 \u0093network,\u0094 \u0093artificial intelligence\u0094 \u0097 words that float in our imagination as images of lightness, disembodiment, abstraction. But the ether is a semantic mirage: there is no cloud that is not supported by a mountain, no interface that is not rooted in matter. Behind the smooth, transparent surface of the screen pulses a geological reality \u0097 rough, heavy, excavated. This is where <i>Anatomy of an AI System<\/i> by Kate Crawford and Vladan Joler compels us to look. Not upward, but downward; not toward the promised immaterial future, but toward the deeply material present of extraction.<\/h2>\n<p>At the center of the project is the Amazon Echo \u0097 a domestic object, docile, almost invisible. But it is precisely in this docility that a sophisticated network of power condenses. The work, formally a hyperdense and multidimensional diagram, dissects the lifecycle of this device \u0097 from its mineral genesis to its toxic obsolescence \u0097 to render visible its global, colonial, necropolitical infrastructure. The Echo becomes a point of access to understand what AI rhetoric conceals: not an \u0093artificial mind,\u0094 but a transnational assemblage of relationships between resources, labor, and data, inscribed within historical dynamics of exploitation.<\/p>\n<p>Technology, the work reminds us, is first and foremost transformed geology. It is not abstraction, but an accumulation of geochemical, thermodynamic, and logistical processes that begin in the earth\u0092s crust. The coltan from Congo, the lithium from Chile, the copper from Peru, the rare earths from Inner Mongolia \u0097 the materiality of the device is layered like a cross-section of terrain. From this perspective, <i>Anatomy of an AI System<\/i> participates in a radical critique of digital dematerialization, showing that every computational operation has a terrestrial origin, a mineral genealogy.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-2.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Immagine della mostra \u0093Calculating Empires\u0094, Ricercatori-artisti Kate Crawford e Vladan Joler, Osservatorio Fondazione Prada, Milano Foto- Piercarlo Quecchia \u0096 DSL Studio, Courtesy- Fondazione Prada (2)\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU3OTksInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDVcL0ltbWFnaW5lLWRlbGxhLW1vc3RyYS1DYWxjdWxhdGluZy1FbXBpcmVzLVJpY2VyY2F0b3JpLWFydGlzdGktS2F0ZS1DcmF3Zm9yZC1lLVZsYWRhbi1Kb2xlci1Pc3NlcnZhdG9yaW8tRm9uZGF6aW9uZS1QcmFkYS1NaWxhbm8tRm90by1QaWVyY2FybG8tUXVlY2NoaWEtXHUyMDEzLURTTC1TdHVkaW8tQ291cnRlc3ktRm9uZGF6aW9uZS1QcmFkYS0yLmpwZyJ9\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-2.jpg\" alt=\"\" srcset=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-2.jpg 900w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-2-600x400.jpg 600w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-2-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>But this geology is not neutral. It is already political, already biopolitical \u0097 in fact, necropolitical, in the sense of Achille Mbembe: it is a cartography of power that determines who lives, who dies, who works, who breathes toxic air. Extraction is not just a technical process; it is a device for the global organization of value and vulnerability. In this sense, media geology is also a geography of violence.<\/p>\n<p>The promise of AI is that of automation, of intelligence without a subject, of processing without human intervention. But what <i>Anatomy of an AI System<\/i> demonstrates with extraordinary clarity is that every form of automatic intelligence is supported by a multitude of precarious, displaced, exploited human intelligences.<\/p>\n<h4 id=\"thegem-heading-8431f26\" data-animation-name=\"lines-slide-up\" data-animation-interval=\"80\">If the birth of the device is founded on extraction, its death is no less violent. Electronic waste represents the terminal phase of the cycle, but it does not mark its end.<\/h4>\n<style type=\"text\/css\">#thegem-heading-8431f26 {margin: 0;}#thegem-heading-8431f26 {margin-left: auto; margin-right: auto;}#thegem-heading-8431f26 > * {justify-content: center;}<\/style>\n<p>Every Echo is made possible by invisible bodies: the miners who extract the materials, the workers who assemble the components in Foxconn factories, the Amazon logistics laborers, the anonymous annotators who feed the algorithms with ordered and classified data. Even the consumer becomes part of the machine \u0097 not just as a user, but as a data source, as an unconscious producer of value.<\/p>\n<p>This dynamic challenges the classical separation between machine and human, between user and system. AI is not an entity distinct from the human, but an infrastructure that absorbs, exploits, redistributes it. Crawford and Joler make this human \u0093subsoil\u0094 visible, overturning the techno-utopian narrative and showing that artificial intelligence is a form of algorithmic division of labor \u0097 a continuation of capitalism by other means.<\/p>\n<p>If the birth of the device is founded on extraction, its death is no less violent. Electronic waste represents the terminal phase of the cycle, but it does not mark its end. Rather, the death of the device is its toxic diffusion: non-degradable materials accumulating in illegal landfills, especially in the Global South, returning to the earth as corrupted, unstable, carcinogenic matter. The e-waste burning in Agbogbloshie or Guiyu embodies what Shannon Mattern calls \u0093ghost infrastructures\u0094: systems that continue to act even after being declared obsolete, contaminating lands and bodies.<\/p>\n<figure>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-1.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-title=\"Immagine della mostra \u0093Calculating Empires\u0094, Ricercatori-artisti Kate Crawford e Vladan Joler, Osservatorio Fondazione Prada, Milano Foto- Piercarlo Quecchia \u0096 DSL Studio, Courtesy- Fondazione Prada (1)\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTU3OTgsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDVcL0ltbWFnaW5lLWRlbGxhLW1vc3RyYS1DYWxjdWxhdGluZy1FbXBpcmVzLVJpY2VyY2F0b3JpLWFydGlzdGktS2F0ZS1DcmF3Zm9yZC1lLVZsYWRhbi1Kb2xlci1Pc3NlcnZhdG9yaW8tRm9uZGF6aW9uZS1QcmFkYS1NaWxhbm8tRm90by1QaWVyY2FybG8tUXVlY2NoaWEtXHUyMDEzLURTTC1TdHVkaW8tQ291cnRlc3ktRm9uZGF6aW9uZS1QcmFkYS0xLmpwZyJ9\"><br \/>\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"899\" height=\"600\" src=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-1.jpg\" alt=\"\" srcset=\"https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-1.jpg 899w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-1-600x400.jpg 600w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/05\/Immagine-della-mostra-Calculating-Empires-Ricercatori-artisti-Kate-Crawford-e-Vladan-Joler-Osservatorio-Fondazione-Prada-Milano-Foto-Piercarlo-Quecchia-\u0096-DSL-Studio-Courtesy-Fondazione-Prada-1-768x513.jpg 768w\" sizes=\"auto, (max-width: 899px) 100vw, 899px\" \/>\t\t\t\t\t\t\t\t<\/a><figcaption><\/figcaption><\/figure>\n<p>Crawford and Joler speak the language of residue: technology as debris, as waste that prolongs its destructive action beyond its use. In this phase, a form of toxic temporality emerges, breaking the linearity of technological progress. E-waste does not age: it persists, contaminates, stratifies. The work reminds us that the promise of innovation comes with a cost that is never paid in the time and space where value is produced, but elsewhere \u0097 in other bodies, in other ecosystems.<\/p>\n<p>The aesthetic power of <i>Anatomy of an AI System<\/i> lies in its diagrammatic form. In an era when visualization tends toward simplification, Crawford and Joler choose complexity. Their diagram is not an illustration, but a conceptual machine: a topography of the socio-technical system that demands a kind of slow, layered, counter-intuitive attention.<\/p>\n<p>The work does not offer a view from above, but a cross-section: a horizontal cut that slices through the surface and penetrates the deepest layers of technological production. It is an act of critical excavation, an artistic practice that becomes geophilosophy, a visual ecology capable of restoring the \u0093weight of the world\u0094 to an object sold to us as levitating.<\/p>\n<p>In an era that seeks to rise above all gravity, the work restores our responsibility to look downward, to touch the ground from which all originates \u0097 and to which all returns, often in toxic form. Rethinking technology from its geology means resetting our relationship with media \u0097 no longer as tools \u0093at our service,\u0094 but as artificial ecologies that imply, shape, and consume the world. Art, in this context, is not decoration, but an instrument of revelation. <i>Anatomy of an AI System<\/i> offers us a lens to read the political matter of the digital, and challenges us to conceive a form of intelligence not based on prediction, but on memory: the memory of the earth, of bodies, of wounds.<\/p>\n<h5><strong>Laura Cocciolillo<\/strong><\/h5>\n<p>Is an art historian specialising in art and new technologies and new media aesthetics. Since 2019 she has been collaborating with Artribune (for which she is currently in charge of new media content). In 2020 she founded Chiasmo Magazine, an independent and self-funded Contemporary Art magazine. From 2023 he is web editor for Sky Arte, and from the same year he takes care, for art-frame, of the column \u0091New Media\u0092, dedicated to digital art.<\/p>\n<h1>READ MORE<\/h1>\n<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"How China\u0092s Social Credit System Works\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-chinas-social-credit-system-works\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"960\"  alt=\"FATTICCIONI_FAR EAST_CREDIT 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Simulation, Intentionality and Artificial Desire<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Rent-a-Robot: the new business trend in China\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/rent-a-robot-the-new-business-trend-in-china\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ROBOT_GALA_CAPODANNO-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ROBOT_GALA_CAPODANNO-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"900\"  alt=\"CAMILLAFATTICCIONI_FAREAST_ROBOT_01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a 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srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"574\"  alt=\"NICCOLOCARRADORI_THEBUNKER_STATO_0\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/experiments-in-computational-democracy-how-ai-might-help-us-trust-the-state-again\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tExperiments in Computational Democracy: How AI Might Help Us Trust the State Again<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/experiments-in-computational-democracy-how-ai-might-help-us-trust-the-state-again\/\" rel=\"bookmark\">Experiments in Computational Democracy: How AI Might Help Us Trust the State Again<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"A Secret Third Fire\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-01-21-at-21.31.31-1-thegem-product-justified-square-double-page-l.jpeg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-01-21-at-21.31.31-1-thegem-product-justified-square-double-page-l.jpeg\" width=\"1000\" height=\"1200\"  alt=\"VIOLA GIACALONE_TERZO INCENDIO SEGRETO_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tA Secret Third Fire<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/a-secret-third-fire\/\" rel=\"bookmark\">A Secret Third Fire<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Syntax War\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-03-17-alle-12.49.44-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-03-17-alle-12.49.44-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MARTINA MACCIANTI_THE BUNKER MAGAZINE_SYNTAX WAR_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tSyntax War<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/syntax-war-2\/\" rel=\"bookmark\">Syntax War<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Luigi Mangione has ended up in a video game\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/yuri-lowell-prints-a-gun-flan-2025-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"MATTEO LUPETTI_PLUNDERLUDICS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tLuigi Mangione has ended up in a video game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/luigi-mangione-has-ended-up-in-a-video-game\/\" rel=\"bookmark\">Luigi Mangione has ended up in a video game<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Is It Finally Time to Scale Down Expectations for Tech Tycoons?\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/eeeeeeeee.jpg\" width=\"770\" height=\"513\"  alt=\"NICCOLO CARRADORI_MUSK_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tIs It Finally Time to Scale Down Expectations for Tech Tycoons?<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/is-it-finally-time-to-scale-down-expectations-for-tech-tycoons\/\" rel=\"bookmark\">Is It Finally Time to Scale Down Expectations for Tech Tycoons?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Schermata-2025-01-09-alle-12.56.32-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_META_NEWS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-end-of-fact-checking-meta-embraces-musks-model-balancing-free-speech-and-the-risk-of-misinformation\/\" rel=\"bookmark\">The End of Fact-Checking: Meta Embraces Musk&#8217;s Model Balancing Free Speech and the Risk of Misinformation<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Media Panic and the Sisyphus Syndrome\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/3-3-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"768\"  alt=\"FRANCESCO D&#039;ISA_MEDIA PANIC_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tMedia Panic and the Sisyphus Syndrome<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-panic-and-the-sisyphus-syndrome\/\" rel=\"bookmark\">Media Panic and the Sisyphus Syndrome<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The girlies love the vibes and that\u0092s just what it\u0092s about\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/cc4cfec3-5144-46d7-a1b9-26ceea82847f.jpg\" width=\"720\" height=\"716\"  alt=\"VIOLA_GIACALONE_THE BUNKER MAGAZINE_VIBES_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe girlies love the vibes and that\u0092s just what it\u0092s about<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-girlies-love-the-vibes-and-thats-just-what-its-about-eng\/\" rel=\"bookmark\">The girlies love the vibes and that\u0092s just what it\u0092s about<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Neuromancer: The Novel That Questioned Our Identity in the Digital World\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/green-light-with-bokeh-effect-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"NICCOLO CARRADORI_NEUROMANCER_THEBUNKERMAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tNeuromancer: The Novel That Questioned Our Identity in the Digital World<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/neuromancer-the-novel-that-questioned-our-identity-in-the-digital-world\/\" rel=\"bookmark\">Neuromancer: The Novel That Questioned Our Identity in the Digital World<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"What is Bluesky, the Social Network for X\u0092s Fugitives?\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Bluesky-his-new-user-landmark-as-The-Guardian-leads-a-huge-X-odus-thegem-product-justified-square-double-page-l.webp 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Bluesky-his-new-user-landmark-as-The-Guardian-leads-a-huge-X-odus-thegem-product-justified-square-double-page-l.webp\" width=\"1000\" height=\"1080\"  alt=\"NICCOLO CARRADORI_BLUESKY_NEWS_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tWhat is Bluesky, the Social Network for X\u0092s Fugitives?<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/what-is-bluesky-the-social-network-for-xs-fugitives\/\" rel=\"bookmark\">What is Bluesky, the Social Network for X\u0092s Fugitives?<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"ACIDS: new models of interaction between music and machines\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Un-frame-da-Convergence-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Un-frame-da-Convergence-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1113\"  alt=\"PIERLUIGI FANTOZZI_IRCAM_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tACIDS: new models of interaction between music and machines<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/acids-new-models-of-interaction-between-music-and-machines\/\" rel=\"bookmark\">ACIDS: new models of interaction between music and machines<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Even AI gets bored at work\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/even-\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NET ECOLOGY di Laura Cocciolillo The digital age wraps itself in the rhetoric of the ether. \u0093Cloud,\u0094 \u0093network,\u0094 \u0093artificial intelligence\u0094 \u0097 words that float in our imagination as images of lightness, disembodiment, abstraction. But the ether is a semantic mirage: there is no cloud that is not supported by a mountain, no interface that is [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":1284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-1879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/comments?post=1879"}],"version-history":[{"count":0,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/1284"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=1879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/categories?post=1879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}