{"id":1815,"date":"2025-08-27T10:02:35","date_gmt":"2025-08-27T08:02:35","guid":{"rendered":"https:\/\/lab.the-bunker.it\/2025\/08\/27\/plug-and-play-language-a-living-situated-grammar-updated-like-a-feed\/"},"modified":"2025-11-11T23:42:59","modified_gmt":"2025-11-11T22:42:59","slug":"plug-and-play-language-a-living-situated-grammar-updated-like-a-feed","status":"publish","type":"post","link":"https:\/\/lab.the-bunker.it\/en\/2025\/08\/27\/plug-and-play-language-a-living-situated-grammar-updated-like-a-feed\/","title":{"rendered":"Plug-and-Play Language. A living, situated grammar, updated like a feed"},"content":{"rendered":"<ul>\n<li><a target=\"_blank\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.the-bunker.it\" title=\"Facebook\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/twitter.com\/intent\/tweet?text=%26amp%3Burl%3Dhttps%253A%252F%252Fwww.the-bunker.it\" title=\"Twitter\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/t.me\/share\/url?url=https%3A%2F%2Fwww.the-bunker.it&#038;text=\" title=\"Telegram\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/wa.me\/?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"WhatsApp\"><\/a><\/li>\n<li><a target=\"_blank\" href=\"https:\/\/www.threads.net\/intent\/post?text=https%3A%2F%2Fwww.the-bunker.it\" title=\"Threads\"><\/a><\/li>\n<\/ul>\n<h1>Plug-and-Play Language<\/h1>\n<h2>A living, situated grammar, updated like a feed<\/h2>\n<p style=\"text-align: right;\">\u0093Representation no longer exists; there\u0092s only action.\u0094<br \/>Gilles Deleuze, from <em>Intellectuals and Power<\/em>,<br \/>a conversation between Michel Foucault and Gilles Deleuze<\/p>\n<p style=\"text-align: right;\"><i>\u00a0<\/i><\/p>\n<p>There is a language that isn\u0092t taught, corrected, or\u0097least of all\u0097asks for our permission. A language that flows elsewhere, parallel yet not peripheral, generated in the streams of chats, voice notes, Discord servers, livestreams, reels, shaping an entire syntax. It\u0092s a language that boots up; its verbs are not names of things in the world but direct gestures, operational segments, shortcuts. This isn\u0092t slang, a generational dialect, or a code for insiders\u0097it\u0092s something else entirely: a mutable source code, a kind of linguistic interface that continuously recompiles itself. We are not facing a derivative tongue but a new form of language itself: functional, rhizomatic, performative, born of use. In this landscape, grammar is no longer a normative structure but a dynamic topology. The lexicon is a repertoire on high alert, ready to evolve. Meaning is elastic, slippery, generative. With every new context, a verb can shift shape and function.<\/p>\n<p>\u0093Droppare\u0094 (from the English <em>to drop<\/em>\u0097to let fall, to drip) has no fixed meaning: it can mean to publish, to share, to release a file, to bail on an event, to let go of something, someone, some content, or a responsibility. Its \u0093true\u0094 meaning does not exist in the abstract but only in action, in the exact moment it is spoken or typed. In this sense, digital language is neither impoverished nor chaotic. It is precise in its environment, calibrated for speed, visibility, and propagation. It is a language made to circulate, not to stand still.<\/p>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"fba2f47\" data-elementor-lightbox-title=\"MACCIANTI_THE BUNKER MAGAZINE_ LINGUAGGIO_01\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY0MDEsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL1x1MDBhOU1hcnRpbmFfTWFjY2lhbnRpLmpwZyIsInNsaWRlc2hvdyI6ImZiYTJmNDcifQ%3D%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Martina_Maccianti.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"1920\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Martina_Maccianti.jpg\" alt=\"\" aria-describedby=\"gallery-1-16401\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Martina_Maccianti.jpg 1536w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Martina_Maccianti-480x600.jpg 480w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Martina_Maccianti-768x960.jpg 768w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Martina_Maccianti-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-1-16401'>\n\t\t\t\t\u00a9Martina Maccianti<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"fba2f47\" data-elementor-lightbox-title=\"ago-4\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTYzMzgsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL2Fnby00LmpwZyIsInNsaWRlc2hvdyI6ImZiYTJmNDcifQ%3D%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"1920\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4.jpg\" alt=\"\" aria-describedby=\"gallery-1-16338\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4.jpg 1536w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4.jpg 480w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4-768x960.jpg 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-4-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-1-16338'>\n\t\t\t\t\u00a9Martina Maccianti<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"fba2f47\" data-elementor-lightbox-title=\"ago-1\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTYzMzUsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL2Fnby0xLmpwZyIsInNsaWRlc2hvdyI6ImZiYTJmNDcifQ%3D%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1536\" height=\"1920\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1.jpg\" alt=\"\" aria-describedby=\"gallery-1-16335\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1.jpg 1536w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1.jpg 480w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1-768x960.jpg 768w, https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ago-1-1229x1536.jpg 1229w\" sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-1-16335'>\n\t\t\t\t\u00a9Martina Maccianti<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<p>In the 1980s, Vil\u00e9m Flusser reflected on cultural transformation, observing how civilisation was shifting from one rooted in alphabetic, linear, and logical-grammatical language to a new dimension dominated by codes\u0097more interactive, symbolic, and syncretic. In this context, language loses its purely descriptive role and becomes an operational tool; words become levers of action, commands, semantic shortcuts\u0097codes capable of generating immediate responses within complex communication systems.<\/p>\n<p>Every new verb is a fragment of code\u0097not in a narrow computational sense, but in the deeper sense of a language that <em>executes effects<\/em> in the world. \u0093Pushare\u0094 (from <em>to push<\/em>) is not simply \u0093to push\u0094 in the classical sense; it\u0092s to move something forward\u0097in a game, a relationship, a group dynamic. \u0093Skillare\u0094 (from <em>skill<\/em>) is not \u0093to be skilled\u0094 but to demonstrate efficacy in a precise, experiential context. \u0093Blastare\u0094 (from <em>to blast<\/em>) is not just \u0093to ridicule\u0094 in a moral sense but to perform a public act of symbolic dominance. These verbs <em>work<\/em>; they act\u0097and that\u0092s why they persist. In this scenario, speaking is no longer an expressive act but a strategic move, a way of navigating a collective surface.\u00a0<\/p>\n<h4 id=\"thegem-heading-f207b13\" data-animation-name=\"lines-slide-up\" data-animation-interval=\"80\">Here, language behaves like a modular game, where each new expression is a temporary skin, an update, an extension. Language is patched like a videogame, and every new word is an unannounced release.<br \/>\n<\/h4>\n<style type=\"text\/css\">#thegem-heading-f207b13 {margin: 0;}#thegem-heading-f207b13 {margin-left: auto; margin-right: auto;}#thegem-heading-f207b13 > * {justify-content: center;}<\/style>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"99016a4\" data-elementor-lightbox-title=\"\u00a9Giovanni_Manzoli copia 2\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY0MzcsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL1x1MDBhOUdpb3Zhbm5pX01hbnpvbGktY29waWEtMi0xLmpwZyIsInNsaWRlc2hvdyI6Ijk5MDE2YTQifQ%3D%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-2-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1204\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-2-1.jpg\" alt=\"\" aria-describedby=\"gallery-2-16437\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-2-1.jpg 1200w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-2-1-598x600.jpg 598w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-2-1-300x300.jpg 300w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-2-1-768x771.jpg 768w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-2-1-256x256.jpg 256w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-2-16437'>\n\t\t\t\t\u00a9Giovanni Manzoli<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"99016a4\" data-elementor-lightbox-title=\"\u00a9Giovanni_Manzoli copia\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY0MzYsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL1x1MDBhOUdpb3Zhbm5pX01hbnpvbGktY29waWEtMS5qcGciLCJzbGlkZXNob3ciOiI5OTAxNmE0In0%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1185\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-1.jpg\" alt=\"\" aria-describedby=\"gallery-2-16436\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-copia-1.jpg 1200w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-1-600x593.jpg 600w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-copia-1-768x758.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-2-16436'>\n\t\t\t\t\u00a9Giovanni Manzoli<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<p>It is in the interactive space of online gaming that many of these words are coined and tested. \u0093Farmare\u0094, \u0093clutchare\u0094, \u0093pushare\u0094, \u0093grindare\u0094, \u0093buildare\u0094 are verbs born in environments where language is immediate, adaptive, situated. In multiplayer games, words aren\u0092t meant to narrate or describe but to <em>do<\/em>. Vocabulary becomes tactical, performative, stripped to essentials, constantly updated based on experience and effectiveness. It is a language for human interfaces that must act in sync\u0097not an expressive code, but an operational one. Alexander Galloway, in <em>Gaming: Essays on Algorithmic Culture<\/em>, describes videogames precisely as \u0093action,\u0094 not representation. Playing is executing commands, interacting with a system that responds in real time. In this context, language reconfigures itself: it becomes an extension of gameplay. Words are not signs to interpret but events to trigger. Each term is an input; every sentence, a strategy. From here emerges the idea of language as a modular tool, a system of semantic shortcuts designed to modify the game state\u0097and, by extension, shared reality.<\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: right;\">\u0093[\u0085] where sentences branch and scatter, or collide and coexist, and letters, typography itself begins to dance as the crusade rages on. Here are models of nomadic and rhizomatic writing; writing marries a war machine and lines of flight, abandoning strata, segmentarity, sedentariness, and the apparatus of the State.\u0094<br \/><em>A Thousand Plateaus: Capitalism and Schizophrenia<\/em>, Gilles Deleuze and F\u00e9lix Guattari<\/p>\n<p>\u00a0<\/p>\n<p>In his fluid, anti-hierarchical thought, Gilles Deleuze saw language as a field of forces, not a system of signs. In <em>A Thousand Plateaus<\/em>, he spoke not of a fixed structure but of a rhizome: a decentralised, non-hierarchical network where every element can connect to every other. Speaking, then, is not the articulation of pre-existing meanings but the opening of paths, the generation of shifts and deviations. Each word can <em>deterritorialise<\/em>\u0097lose its anchoring and assume new functions.<\/p>\n<p>Young people who today <em>shottano<\/em>, <em>cringiano<\/em>, <em>flexano<\/em> aren\u0092t merely mangling something; they are doing what Deleuze called tracing \u0093lines of flight,\u0094 linguistic movements that liberate meaning from rigidity, reinventing it through the fluid, situated, instantaneous connections of the present. Error, in fact, is an integral part of the process. Initially, every new word is a glitch that doesn\u0092t work by the rules, that sounds \u0093wrong\u0094\u0097but it\u0092s precisely this deviation that creates space for meaning.<\/p>\n<h4 id=\"thegem-heading-92d167a\" data-animation-name=\"lines-slide-up\" data-animation-interval=\"80\">The anomalous verb is a bug that, if replicated, becomes a feature.<\/h4>\n<style type=\"text\/css\">#thegem-heading-92d167a {margin: 0;}#thegem-heading-92d167a {margin-left: auto; margin-right: auto;}#thegem-heading-92d167a > * {justify-content: center;}<\/style>\n<figure class='gallery-item'>\n\t\t\t\t<a data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"b4879e5\" data-elementor-lightbox-title=\"\u00a9Giovanni Manzoli\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTY0MzQsInVybCI6Imh0dHBzOlwvXC93d3cudGhlLWJ1bmtlci5pdFwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDhcL1x1MDBhOUdpb3Zhbm5pX01hbnpvbGktMS5qcGciLCJzbGlkZXNob3ciOiJiNDg3OWU1In0%3D\" href='https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-1.jpg\" alt=\"\" aria-describedby=\"gallery-3-16434\" srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Giovanni_Manzoli-1.jpg 1200w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-1-600x450.jpg 600w, https:\/\/www.the-bunker.it\/wp-content\/uploads\/2025\/08\/\u00a9Giovanni_Manzoli-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption class='wp-caption-text gallery-caption' id='gallery-3-16434'>\n\t\t\t\t\u00a9Giovanni Manzoli<br \/>\n\t\t\t\t<\/figcaption><\/figure>\n<p>In this new rhizomatic grammar, meaning is no longer a property of the word but an effect of the network. Every term means in relation to others, in relation to context, platform, reference culture. This entails a radical transformation in how we conceive language. A verb is no longer a form to conjugate but a function to activate. Every new word is tested, modified, reinserted into the circuit. There is no longer a \u0093correct\u0094 usage in the normative sense, only a series of locally effective ones. Effectiveness replaces grammar. Impact replaces coherence. Intuition replaces definition.<\/p>\n<p>Yet this is not chaos. There is a fluid, emergent order\u0097like that of flocks, swarms, clouds. A situated, collective semantics. No longer a language to be preserved but one in constant emergence, living in feeds, servers, captions, calls, emotes. A language to be caught on the fly, mimicked, reinterpreted, farmed. A language that doesn\u0092t accumulate to \u0093know more,\u0094 but to <em>do<\/em> better, faster, more effectively. In this landscape, the origin of a word matters less than what it does\u0097and whether it works. Genealogy yields to performativity, as language becomes a field of operative possibilities, a form of social software, a strategy.<\/p>\n<p>Will many of these words disappear? Of course\u0097some are already obsolete the moment they\u0092re printed here, right now. But permanence isn\u0092t the point. The point is that contemporary language behaves like an ecosystem in perpetual beta. It self-updates, corrects itself mid-run, reinvents itself daily. There is no definitive version. There is only the current one: unstable, rhizomatic, alive.<\/p>\n<p>Speaking today is like navigating a liquid language, constantly reassembled. There are no reliable maps, only provisional routes. And perhaps it is here that a new kind of authenticity lies\u0097not in following rules, but in the ability to invent them in real time. To <em>drop<\/em> language, then, is a symbolic act: to let go of a certain closed, linear, transparent idea of language, and embrace another\u0097hybrid, dynamic, nasty, and powerfully unstable.<\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: right;\">\u0093We say <em>rawdoggare<\/em> and you\u0092re like, \u0091what the fuck are they saying?\u0092&#8230;\u0094<br \/>\u0093Bruv, this is too much\u0085\u0094<br \/>\u0093Yeah, but who\u0092s the cop of \u0091too much\u0092?\u0094<br \/>from an episode of <em>Epico! <\/em><em>Podcast<\/em>, live-streamed on Twitch from Dario Moccia\u0092s channel<\/p>\n<h5>Martina Maccianti<\/h5>\n<p>Born in 1992, Martina Maccianti writes to decipher the present and the future. Between language, desire and utopias, he explores new visions of the world, seeking alternative and possible spaces of existence. In 2022, he founded a project of thought and dissemination called Fucina.<\/p>\n<h1>READ MORE<\/h1>\n<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Plug-and-Play Language. A living, situated grammar, updated like a feed\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/plug-and-play-language-a-living-situated-grammar-updated-like-a-feed\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Martina_Maccianti-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/\u00a9Martina_Maccianti-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MACCIANTI_THE BUNKER MAGAZINE_ LINGUAGGIO_01\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/plug-and-play-language-a-living-situated-grammar-updated-like-a-feed\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tPlug-and-Play Language. A living, situated grammar, updated like a feed<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/plug-and-play-language-a-living-situated-grammar-updated-like-a-feed\/\" rel=\"bookmark\">Plug-and-Play Language. A living, situated grammar, updated like a feed<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"For an Aesthetics of the End of the World\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/for-an-aesthetics-of-the-end-of-the-world\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Jakob-Kuds-Steensen-Aquaphobia-2017-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Jakob-Kuds-Steensen-Aquaphobia-2017-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1012\"  alt=\"Jakob Kuds Steensen, Aquaphobia, 2017\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/for-an-aesthetics-of-the-end-of-the-world\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tFor an Aesthetics of the End of the World<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/for-an-aesthetics-of-the-end-of-the-world\/\" rel=\"bookmark\">For an Aesthetics of the End of the World<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The Delirious Machine. Poetics of Algorithmic Hallucination\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-delirious-machine-poetics-of-algorithmic-hallucination\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MACCIANTI_THE BUNKER_ALLUCINAZIONI ALGORITMICHE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-delirious-machine-poetics-of-algorithmic-hallucination\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe Delirious Machine. Poetics of Algorithmic Hallucination<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-delirious-machine-poetics-of-algorithmic-hallucination\/\" rel=\"bookmark\">The Delirious Machine. Poetics of Algorithmic Hallucination<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"And You Might Find Yourself Playing in an Era of Mass Extinction\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/and-you-might-find-yourself-playing-in-an-era-of-mass-extinction\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Death-Stranding-2-On-the-Beach-Kojima-Productions-Sony-Interactive-Entertainment-2025-3-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Death-Stranding-2-On-the-Beach-Kojima-Productions-Sony-Interactive-Entertainment-2025-3-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"DEATH STRANDING 2: ON THE BEACH_20250716160722\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/and-you-might-find-yourself-playing-in-an-era-of-mass-extinction\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tAnd You Might Find Yourself Playing in an Era of Mass Extinction<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/and-you-might-find-yourself-playing-in-an-era-of-mass-extinction\/\" rel=\"bookmark\">And You Might Find Yourself Playing in an Era of Mass Extinction<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The Broligarchs Dream of the End of Democracy\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-broligarchs-dream-of-the-end-of-democracy\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ChatGPT-Image-29-lug-2025-16_24_57-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/ChatGPT-Image-29-lug-2025-16_24_57-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1024\"  alt=\"ChatGPT Image 29 lug 2025, 16_24_57\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-broligarchs-dream-of-the-end-of-democracy\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe Broligarchs Dream of the End of Democracy<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-broligarchs-dream-of-the-end-of-democracy\/\" rel=\"bookmark\">The Broligarchs Dream of the End of Democracy<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"\u0093Which House Would You Spend Quarantine In?\u0094: Aesthetics, Nostalgia, and Digital Dreams in the Post-Lockdown Era\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/which-house-would-you-spend-quarantine-in-aesthetics-nostalgia-and-digital-dreams-in-the-post-lockdown-era\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-07-09-at-15.41.44-thegem-product-justified-square-double-page-l.jpeg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/WhatsApp-Image-2025-07-09-at-15.41.44-thegem-product-justified-square-double-page-l.jpeg\" width=\"1000\" height=\"1200\"  alt=\"WhatsApp Image 2025-07-09 at 15.41.44\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/which-house-would-you-spend-quarantine-in-aesthetics-nostalgia-and-digital-dreams-in-the-post-lockdown-era\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\u0093Which House Would You Spend Quarantine In?\u0094: Aesthetics, Nostalgia, and Digital Dreams in the Post-Lockdown Era<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/which-house-would-you-spend-quarantine-in-aesthetics-nostalgia-and-digital-dreams-in-the-post-lockdown-era\/\" rel=\"bookmark\">\u0093Which House Would You Spend Quarantine In?\u0094: Aesthetics, Nostalgia, and Digital Dreams in the Post-Lockdown Era<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The Ghosts of Fascism in The Legend of Zelda\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-ghosts-of-fascism-in-the-legend-of-zelda\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Topologies-of-Zelda-Triforce-Patrick-LeMieux-Stephanie-Boluk-2018-image-from-itchio-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/The-Topologies-of-Zelda-Triforce-Patrick-LeMieux-Stephanie-Boluk-2018-image-from-itchio-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"The Topologies of Zelda Triforce (Patrick LeMieux, Stephanie Boluk, 2018) [image from itchio]\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-ghosts-of-fascism-in-the-legend-of-zelda\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe Ghosts of Fascism in The Legend of Zelda<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-ghosts-of-fascism-in-the-legend-of-zelda\/\" rel=\"bookmark\">The Ghosts of Fascism in The Legend of Zelda<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Super-Brains\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/super-brains\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/gettyimages-878283608-2048x2048-1-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/gettyimages-878283608-2048x2048-1-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"gettyimages-878283608-2048x2048-1\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/super-brains\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tSuper-Brains<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/super-brains\/\" rel=\"bookmark\">Super-Brains<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Media Geology: The Earth Behind Our Screens\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-geology-the-earth-behind-our-screens\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Kate-Crawford-Vladan-Joler-Anatomy-of-an-AI-System-2018-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Kate-Crawford-Vladan-Joler-Anatomy-of-an-AI-System-2018-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Kate Crawford, Vladan Joler Anatomy of an AI System 2018\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-geology-the-earth-behind-our-screens\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tMedia Geology: The Earth Behind Our Screens<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/media-geology-the-earth-behind-our-screens\/\" rel=\"bookmark\">Media Geology: The Earth Behind Our Screens<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"How China\u0092s Social Credit System Works\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-chinas-social-credit-system-works\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/image-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"960\"  alt=\"FATTICCIONI_FAR EAST_CREDIT SCORE_THE BUNKER MGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-chinas-social-credit-system-works\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tHow China\u0092s Social Credit System Works<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-chinas-social-credit-system-works\/\" rel=\"bookmark\">How China\u0092s Social Credit System Works<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"The Language of Desire in The Sims\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-language-of-desire-in-the-sims\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/2-sims-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/2-sims-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"MARTINA MACCIANTI_THE BUNKER MAGAZINE_THE SIMSS\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-language-of-desire-in-the-sims\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tThe Language of Desire in The Sims<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/the-language-of-desire-in-the-sims\/\" rel=\"bookmark\">The Language of Desire in The Sims<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"Animal Technologies: When Nature Anticipates Human Ingenuity\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Foto-di-Farha-Edenia-su-unsplash-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1200\"  alt=\"Foto di Farha Edenia su unsplash\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tAnimal Technologies: When Nature Anticipates Human Ingenuity<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/animal-technologies-when-nature-anticipates-human-ingenuity\/\" rel=\"bookmark\">Animal Technologies: When Nature Anticipates Human Ingenuity<\/a>\n\t\t\t\t\t\t\t\t\t<picture>\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/transparent-thegem-product-justified-square-double-page-l.png\" width=\"1000\" height=\"1200\"  alt=\"How to Queerly Hijack a Video Game\" style=\"max-width: 110%\" \/>\n\t\t<\/picture>\n\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\">\t\t<picture><source srcset=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Radiator-1-Robert-Yang-2009-2015-thegem-product-justified-square-double-page-l.jpg 1x\"   sizes=\"100vw\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/lab.the-bunker.it\/wp-content\/uploads\/2025\/11\/Radiator-1-Robert-Yang-2009-2015-thegem-product-justified-square-double-page-l.jpg\" width=\"1000\" height=\"1080\"  alt=\"LUPETTI_QUEER_THE BUNKER MAGAZINE_00\" \/>\n\t\t<\/picture>\n\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.the-bunker.it\/en\/how-to-queerly-hijack-a-video-game\/\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\tHow to Queerly Hijack a Video Game<br \/>\n\t\t\t\t\t\t\t\t\t\t\t<\/a><br \/>\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.t\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is a language that isn\u0092t taught, corrected, or\u0097least of all\u0097asks for our permission. A language that flows elsewhere, parallel yet not peripheral, generated in the streams of chats, voice notes, Discord servers, livestreams, reels, shaping an entire syntax. It\u0092s a language that boots up; its verbs are not names of things in the world but direct gestures, operational segments, shortcuts.<\/p>\n","protected":false},"author":8,"featured_media":1152,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-1815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/comments?post=1815"}],"version-history":[{"count":0,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/posts\/1815\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media\/1152"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=1815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/categories?post=1815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}