{"id":3399,"date":"2025-11-11T20:12:44","date_gmt":"2025-11-11T19:12:44","guid":{"rendered":"https:\/\/lab.the-bunker.it\/?post_type=autore&#038;p=3399"},"modified":"2025-11-27T08:06:33","modified_gmt":"2025-11-27T07:06:33","slug":"matteo-lupetti","status":"publish","type":"autore","link":"https:\/\/lab.the-bunker.it\/en\/autore\/matteo-lupetti\/","title":{"rendered":"Matteo Lupetti"},"content":{"rendered":"\n<p>An art critic and video game scholar, Matteo Lupetti analyzes the intersection of aesthetics, technology, and politics. He collaborates with <em>Artribune<\/em>, <em>il Manifesto<\/em>, and international outlets, focusing on digital art and interactive media. He has been part of the editorial team of <em>Menelique<\/em> magazine and the artistic direction of the Cretecon festival. In 2023 he published <em>UDO. Guida ai videogiochi nell\u2019Antropocene<\/em> (Nuove Sido), an essay that rethinks video games as tools for understanding climate change and the emerging ecologies of the non-human. His research examines the video game as a critical language and as a space where contemporary culture redefines its relationship with the real.<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"class_list":["post-3399","autore","type-autore","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/autore\/3399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/autore"}],"about":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/types\/autore"}],"wp:attachment":[{"href":"https:\/\/lab.the-bunker.it\/en\/wp-json\/wp\/v2\/media?parent=3399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}